, henry moore bound to fail, and light trap for henry moore. (bruce nauman) it somehow had to do with capturing some sort of essence or ghost of henry moore. when i had done a few commissions or been asked to do a few commissions and none of them worked out, and i'd put in quite a bit of effort, and then nothing ever happened. so i talked to claes oldenburg about how, i asked him how he set up his situation so he, did that happen to him or what happened? so he told me how he set up contracts to get paid at various stages of the work, and that anybody could get out from under the deal if they wanted to, but at least you weren't left with nothing. and the other thing he said is: "you have to remember that no matter what they tell you, they're looking for a medium-size henry moore on a base." (narrator) if young sculptors were frustrated by living in the long shadow he cast, architects like i. m. pei were dazzled by the man and the monumentality of his sculptures. henry. welcome. (narrator) pei incorporated moore's knife-edge mirror two piece into